Working in Film and TV? Here’s Why You Need Ear Protection on Set

Film and television sets are exciting, fast-paced, and... surprisingly loud.

From sound stages and lighting rigs to pyrotechnics, prop guns, live concerts, and constant machinery, working in production often means long hours in high-decibel environments.

If you're a grip, gaffer, camera op, sound tech, or even part of the AD team - your ears are taking a hit.

The Hidden Volume of the Set

While it might not seem dangerous at first, consider the noise exposure on a typical day:

- Generators and heavy equipment

- Power tools during set builds

- Pyro blasts or SFX shots

- Crowd scenes and amplified rehearsals

- Live performances on music shoots

- Long stretches inside echo-heavy warehouses or studios

Over time, this exposure can lead to **permanent hearing damage**, tinnitus, or auditory fatigue—all of which can affect your work.

But Foam Plugs Don’t Cut It

Basic foam earplugs block too much. On set, you need to hear clearly - cues, direction, ambient noise, safety alerts, and your own communication with the crew.

That’s why Spares are the smart choice.

Why Spares Work for Production Crews

- High-fidelity filter** reduces harmful sound levels without muffling speech

- Soft silicone fit** stays comfortable through 10+ hour days

- Low-profile design** doesn’t interfere with headsets, hats, or cameras

- **Reusable and durable** for daily professional use

- **Discreet case** fits easily in a belt pouch or gear bag

Whether you're resetting a shot or capturing BTS footage, Spares help you focus—without risking your hearing.

Take Care of the Tools You Can’t Replace

You protect your gear with cases, insurance, and routine maintenance. Do the same for your ears—because when they're gone, they're gone.

Add Spares to your kit list and keep your hearing sharp - every take, every shoot.